Well, just because it says it is doesn't mean it is. A couple of weeks ago i received proof that a major record company upsampled a title from 48k to 96k just to please those who won't buy it if it doesn't say 24/96.
So what did that upsampling do to the quality? It wasn't as pure as the 48k original, but as long as people think they are getting it then i guess it keeps them happy.
I know ! I only see 99% in 24/96.............. ;-)
2014-12-11 22:39 GMT+01:00 'Richard Ford' via SurroundSound <surroundsound@googlegroups.com>:
Just because it was a DVD-A doesn't mean the contents has to be 24/96. It can be whatever.
Because it was a DVDA.........--2014-12-11 21:34 GMT+01:00 'Richard Ford' via SurroundSound <surroundsound@googlegroups.com>:Please do explain why you would expect to see 24/96 considering the source was a CD?
--Well, I did compare the f-2 and p version and........ there is hardly any difference !I ripped from both DVDA's the first two tracks and compared them in Soundforge > It's very hard to discover any difference.There was some in the RMS and Peak levels, but that difference was so small, not worth to mention....I did however found it a bit strange that both are recorded on DVDA in 16/44.1 ..... I expected 24/96 ;-)Anyway, when listening on my HTS I also couldn't hear a difference.......grtz,EoH
Op woensdag 10 december 2014 16:17:37 UTC+1 schreef EoH:Hi,What's the difference between DS58f-2 and DS58p (both John Keating's Space Experience) ?grtz,EoH
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