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Thursday, February 24, 2011

[SurroundSound] ReUnsubscribe

Could you please Unsubscribe me?  Over my head.

On Feb 23, 2011, at 8:20 PM, surroundsound+noreply@googlegroups.com wrote:

Group: http://groups.google.com/group/surroundsound/topics

    grill <grill@index.hu> Feb 22 09:58AM -0800 ^
     
    Thank you VF. You are our Santa Claus, appearing occasionally with
    your stuffed bag :-)
     
     
    jolson <j.jolson@gmail.com> Feb 23 03:15AM -0800 ^
     
    OK, I read your comment with the info there, didn't go to gearslutz
    tho... :) will check it out.
     
    Soon people can create copies of SACD's, create (artificial) multi-
    channel SACD's from stereo SACD's, copy SACD to DVD-A, copy DVD-A to
    SACD, copy watermarked DVD-A's to DVD-A...
     
    BTW, does anyone know if that program to remove watermarks will be
    released to us?
     
     
    laserwolf <laserwolf@embarqmail.com> Feb 23 09:35AM -0800 ^
     
    I can confirm that the Oppo BDP-83 Special Edition absolutely works. Pyramix
    created the DAT using DFF and LBM that was provided. Then I opened the DAT
    in UltraISO and burned to a DVD-RW which took about 20 minutes. When I load
    disc into Oppo there are 3 tracks. The first track is 7 seconds, the second
    track is 22 seconds and the third track is 2:32. Text info says Disc Artist:
    2L records, Disc Title: Test SACD image, Track Title: stereo. When I play
    the tracks the display shows SACD and I can listen to the classical piece. I
    guess the next step will be a method to get DFF files from SACD discs.
     
    VF <vf.surround@gmail.com> Feb 23 11:46AM -0800 ^
     
    thanks laserwolf. very cool.
     
    it's all gradually getting there.
     
     
    grill <grill@index.hu> Feb 22 10:03AM -0800 ^
     
    I'm overjoyed, flying wth the Byrds:-)
     
     
    Ray Shackleford <mosata@gmail.com> Feb 23 12:09AM -0800 ^
     
    I agree, you rule :)
     
     
    realafrica <paul.gambia@gmail.com> Feb 23 09:07AM -0800 ^
     
    This sound great. Reel rocks as the best source possible.
     
     
    Joe A <joe.anstett@gmail.com> Feb 23 05:39AM -0800 ^
     
    This is a very sore subject for me, as both an Apple Mac user and a
    home theater fan.
     
    The first step would be getting to lossless CD quality audio on
    iTunes. Worry about high-res after that.
     
    Now for my psychopathic rant on Apple. The iPod/iPhone/iPad has
    turned Apple into what I derisively call an "iToy" company and the Mac
    is left to wither on the vine and slowly rot. Where once Apple
    pioneered adoption of new technology such as firewire, now it eschews
    new technology. No support for Blu-Ray, HDMI *, multichannel audio,
    USB3, eSATA, 30-bit deep color, and the list goes on and on. The Mac
    Pro (high end tower) has video cards generations behind the latest on
    the PC. The Mac Mini and Mac Pro often languish for years between
    updates. Not a single Mac has ever shipped with analog multichannel
    audio support, and none support any form of it aside from the last Mac
    Mini.
     
    * = the latest Mac Mini, and only it, supports HDMI and claims to
    support multichannel audio over HDMI.
     
    A lot of Pro users (Final Cut Pro, Logic Pro, etc.) are getting very
    nervous about Apple's change in priorities.
     
    The Mac *used to be* the best platform for consuming and creating
    content, but that's no longer true, sadly. So I don't look for Apple
    to be a pioneer in this area.
     
    I'm glad to see some record execs pushing for it, but then again their
    job is to generate demand for music and this may be yet another format
    shift (one I'd be in favor of). Maybe the iTunes store will
    eventually move into HDTracks territory. But even HDTracks doesn't
    put up multichannel material.
     
    The steps on the journey I see are:
     
    (1) Sell lossless files on iTunes (and competitors)
    (2) Sell high-res files
    (3) Sell surround files.
     
    We're quite a way away from that day, and Apple is not going to be
    leading the charge IMO.
     

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 Publisher/Editor
AUDIOPHILE AUDITION www.audaud.com 
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